The Pains of Royal Photography
The last occasion I spent any amount of time at St Mary’s hospital in London, I was giving birth to my own child. And I can honestly say that experience was a lot less painful than covering the arrival of the Duke and Duchess of Cambridge’s newborn son.
First there was the planning — far more meticulous than for a birth when most couples simply have to pack an overnight bag, work out the quickest way to hospital and, for reasons we will never truly understand, prepare a relaxing CD of whale sounds. For the photographers, this was more of a forensic exercise in which every detail was scrutinized minutely and agonized over.
Reuters had secured four jealously-guarded camera positions offering different angles over the entrance to the Lindo Wing, where the baby was born. This might seem excessive, but to get that first shot of the new prince we needed to be ready for any eventuality. We might only have a few seconds and we had no way of knowing where the couple would stand or even which way they would look.
For clues,we pored over photos ofCharles and Diana taken in the same spot after the birth of Prince William. We even tried to establish whether the Duchess of Cambridge was left or right handed to predict which way the baby would be facing. In order to capture the baby’s first expression, one photographer was stationed at the end of the street armed with an enormous 600mm lens and perched precariously atop an eight-step ladder.
He wasn’t the only one.
If you’ve seen any footage from outside the hospital’s Lindo Wing, you’re probably aware that there was a large media crowd vying for images of the future British king — a bewildering forest of aluminium steps and long lenses. Such was the anticipation ahead of the birth that many news agencies, including Reuters, had marked up spots for their stepladders weeks in advance. As the days ticked by, more and more press arrived, all armed with more ladders. To make matters worse, one manufacturer dropped a truckload of yet more ladders at the hospital in the hope of some free publicity.
And so Kate’s eventual admission to hospital was greeted by a cacophony of clattering metal as hundreds of ladders of all shapes and sizes were scraped into position. Then the waiting began.
I was summoned to the Lindo wing at 7am on Monday, shortly after Kate’s arrival. It was to be one of the hottest days in London, with temperatures reaching around 32 degrees Celcius (89 degrees Fahrenheit). It was almost impossible to move on my aluminium perch without bumping into another photographer. Bathroom visits involved clambering over five other ladders to reach the edge of the press pen. And, of course, although we heard news of the birth later that evening, by the time I climbed down at 7pm, nothing had happened.
The next day was worse. It was humid as well as hot and the air was angry with thunderstorms. Again we took up positions at 7am and again we waited. By now the boredom had turned to panic and tension as my colleagues and I anguished over our positions and equipment. I had a remote camera trained on the front door, but was forced to move it as it was constantly being bumped by TV news crews. Eventually I clamped it to the top of my stepladder (making even less space for me) and began worrying about where I should focus it.
Tempers frayed as the day wore on. TV camera crews berated photographers for flitting in and out of their live shots to tinker with their remotes. Photographers swore at TV camera crews for berating them. There was occasional light relief as more companies plied the media with freebies. One equipped us all with ridiculous yellow sunglasses, others handed out donuts, popsicles and pig-shaped candies which subsequently became ammunition in an impromptu food fight.
But spirits were dampened when the storm clouds broke late on Tuesday morning. We scrambled to protect our gear with umbrellas and trash bags as a powerful downpour inundated us. The water also reduced the scattered pig-shaped candies to a sticky mush which was then trampled all over the ladders. As more hours ticked by, my legs began to cramp and at several points I lost feeling in them. Every time I tried to move to stamp the life back into them, there were angry shouts from other photographers panicking that I was trying to block their view.
Finally around 5.30pm, after 11 almost uninterrupted hours on top of my perch, we heard the news we were waiting for: Kate, William and the baby were on their way. Time for some last minute fussing over our exposure levels as passing clouds rapidly shifted the light conditions, and then action stations
As it happened, the royal couple were very gracious towards the now rather shabby-looking media pack that awaited them. They paused on the hospital steps, allowing us to zoom in, smiled for the cameras, gently fielded a few questions and proudly displayed their newborn. The happiness and relief lighting up their faces was matched later when, after the couple had driven away to begin their new life as parents, similar emotions were experienced by the photographers who were finally able to climb down from their ladders and, having filed their images, call it a day.
As I was dwelling on this, one of the maternity nurses struck up a conversation and said that she recalled me from four years ago. I can only assume that this was because as an American, I probably stood out by screaming a whole lot louder than most British moms do.
Perhaps childbirth is tougher than I recall.
Thanks Suzanne for the sharing.